Holiness Standards

Jesika, Jamie and I sat outside Sweet Frog, eating frozen yogurt. I dug down into the yogurt with my spoon and found a gummy bear. I chomped down on the sweet candy using the safe side of my mouth, but it still found its way to the cavity on my left. My mouth zinged in pain.

    “Dammit,” I said around the gummy. “That hurt.”

    “Just get it taken care of,” Jesika said.

    “Yeah, I know. I hate the dentist, though.”

Jamie pulled out the lipstick she’d just bought. “Isn’t it hot?” she said. She painted on a layer over the pink she’d put on at Sephora earlier. It was hot. It was an opaque neon pink. A Cyndi Lauper pink with electric attitude.

“You gonna wear it at the office?” I asked.

“Maybe. If I feel like it,” she said airily. It looked great on her tanned face. I looked over at Jesika whose face was powdered like an aristocrat, peach circles of blush painted on each cheek, blood red lips. She looked like a kewpie doll crossed with a vampire.

“Oh my gosh,” said Jamie.

“What?” I said looking up. “Oh.”

A group of young women were walking toward us. My stomach tightened a little as I put down my yogurt cup. The gummy bears smiled up at me. “Busted,” they said.

There were five of them. Each was dressed in what I could only call a uniform: long jean skirts–despite the 90 degree heat, long-sleeved tops and blouses, and uncut hair past their knees or carefully done up in pioneer women knots.

The girls wore no makeup. My own face paint, courtesy of Jesika’s industrious applications of the makeup counter’s free offerings, was starting to melt. I wished I wasn’t wearing that stupid purple eyeshadow which looked cool at the store and now felt merely ostentatious.

“Hey guys!” Jesika spoke. “How are you?” She smiled up at the girls and they came over and sat down with us. She and Jamie started talking with them at once. They’d all gone to the same church together in high school. I smiled at them and said nothing. Kept my eyes down on my dessert of drowned gummies. Thought about these girls. Thought about the many accusations, frustrations, and the general confusion in my own heart. Two months earlier I might have chosen to be one of those young women.

***

Whenever we talk about these girls, the many girls we know who are “in” this mode of dressing, Jesika laughs and rolls her eyes. She was brought up in that religious movement. “They’re just confused,” she says. “If they knew how great it feels to cut your hair and wear shorts and smoke Black & Milds, they’d be doing it. They wouldn’t think twice about their salvation.”

What she means–and what we who have been introduced to that particular faith know–is that the young women believe that their salvation hangs in a precarious balance. Along with their Christian beliefs come proscriptions against outfitting one’s body in a modern way: no makeup, no haircuts, no shorts or pants, no short sleeves. These admonitions are a part of the church’s holiness standards for its women.

Standards by which to measure a woman’s holiness.

nolipstick

I dated one of the men from this faith for a year. Though I railed hard against the prohibitions, my own hair was growing longer–longer than I liked, my skirts were getting longer, my makeup got lighter, my decisions deferred more and more to him.

     “Don’t cut your hair–promise me you won’t cut your hair again this summer,” he’d said to me.

    “That’s not something I’m going to promise you,” I said.

But I never cut it again until we broke up. I wanted to fit in. To belong with him and his mother and sisters. When we broke up, I looked horrified at my closet. I piled up all the “modest” clothes and threw them in a dumpster. I bought the shortest shorts I could find, had Jesika hack off my hair to the chin, and applied black eye pencil like it was medication. Round and round my eyes I drew in deft circular marks, writing my own standards with each stroke.

*  *  *

We said goodbye to the girls and threw our empty foam cups into the trash.

    “My house or yours?” Jamie asked, looking at us.

    “Yours!” Jesika and I said as we walked to our cars. In my rearview mirror, I saw the girls in their jean skirts disappearing into the shop. I shivered. Then my eye caught Jes powdering her face again in her own rearview mirror. I giggled. I tried to wipe off some makeup but it only made a mess.

The standards we live by vary. They are confusing. Chilling, even. We women are taught how to look and how to be from infancy. Those young women come to my mind often. But my own friends come to mind much oftener–the women who’ve shown me that feminine standards are variable, mercurial, and dependent on what we believe about ourselves at any given time.

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Elena bio YAH

Downtown Cathedral

The cathedral on a street corner downtown Hartford is unassuming on the outside. It’s easy to walk straight past it. It’s easy to walk straight past much in Hartford, a small city with large buildings which tower and preside over it. Financial institutions and insurance companies make their home in Hartford, and their buildings meld into one another. When experienced as a whole, their sheer height and the packed-in feeling of a tiny business district makes for a distinct indistinctness.

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I have walked past the cathedral many times on my way to and from my downtown workplace. One day I looked at the place a bit closer. I was trying to find a church I’d heard of—one that owns the house that the poet Wallace Stevens lived in. I found myself at the cathedral, looking at it, and in it, for the first time.

The building is of a dark brown stone built in the gothic revival style some two hundred years ago, with a pointed pitched roof and high, arched doors on three sides. Venture in further and the doors open into the dark sanctuary. The walls are covered with frescoes and stained glass windows. Over the altar are miniature depictions of the symbols of the disciples and the shells of St. John the Baptist. On Sunday mornings the light streams faintly through the colored glass and the air is choked with incense. The curls of it rise up to the ceiling.

On Sundays I sit in my pew with the pew door carefully shut. I say carefully because the old wood has a tendency to bang against the jamb and it makes me want to run away, far and fast. Small talk and casual conversation, and indeed, casualness itself, are not in the fabric here. After the opening hymns and readings, the priest and acolytes process down the aisle for the gospel reading. The thurifer censes the book; clouds and puffs of thick scent waft into the air. And the priest scans the pages through the smoke and begins to read.

The cathedral reminds me of the church I left years ago. The seat of my childhood. That church is a mere sixty years old. It has been thoroughly modernized with proper plumbing and fresh expanses of white paint, and a state-of-the-art sound system for which the new sanctuary was designed. The pull of the cathedral, for me, is that it doesn’t get updated. It does remind me that it and the church I left exist in time. Time and space.

The cathedral seems to be getting smaller as new buildings rise around it. My old church gets bigger and newer, but its popularity waxes and wanes like air inhaled and then expelled from lungs.

One summer afternoon I sat with four other people on folding chairs on the tiny cement patio wedged between the cathedral and the rectory, with the sun shining hotly down on us. We were there for one of the midday concerts sometimes held during the week at the cathedral. That day a saxophone quartet, the artists in residence at the cathedral, played for an hour. The music was fresh and lively—a mix of klezmer and classical pieces transcribed for a sax quartet.

Memory tapped persistently at my mind again, of the kind of music played at the other place. The guitar and drum pieces punctuated in time by a short piece by Handel, played during the offertory. Short because the offertory is a slim, quick task there. At the cathedral it is all Handel, all Bach, all the time. The offertory there may be slimmer.

Time away from the old church has been good. I discovered the cathedral, which has been good. But like incense, once you’ve got it in your nose, you can’t unsmell it. You can’t unremember your memories.

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image1 (3)“Downtown Cathedral” was written by Elena Shekleton. Elena lives and works in Hartford and is moving across country to Colorado over the summer. She has a Masters in Comparative Literature for which she studied fairy tales and folklore and can say she is proudly acquainted with giants, dwarves, witches, clever princes, and enchanted cabbages from many different countries.

The Pain and Beauty in Goodbye

Now far removed from the 9th floor Korean apartment I called home for nearly two years, I’ve been reflecting on what I’ve taken away from my time in South Korea. I’ve come up with quite a list.

I’ve learned about graciousness, and about understanding. I’ve learned patience and learned to wait for the full story before casting my final judgment- there is always a reason behind even the strangest cultural customs. It’s proven true that living in another culture has become one of my life’s great teachers.

The more I worked through lessons learned, (and trust me, there were many) there was one particular lesson that separated itself from the others; my changing understanding of the beauty and importance of saying “good-bye.”

suitcaseWhile living in foreign countries, expats make friends with natives and other foreigners alike. It’s possible, or probable, that as foreigners we will become friends with people soon to leave us, and so, we say “good-bye.”

Eventually, our time will come. Whether that time is after 30 years or 30 days, we inevitably will leave and call a new place “home.”  Maybe we’re really heading home (the place of our birth), or maybe we’re starting a new chapter filled with new scenery and with new people. No matter the situation, it all ends the same way, with us saying, “good-bye.”

I, like most people, hate good-byes. Separating oneself from those who learned and grew with you is a difficult and painful event. When we leave, we are leaving behind part of our self, and with us we take a unique mark; a mark penned by the culture that took us in.

But, since my journey back west, I’ve come to a few realizations.

Good-byes force us to start a new chapter. 

Life often will take the form of a story. We live our lives in phases, or chapters. We grow during chapter 5, we fail during chapter 7, and find hard fought redemption in chapter 14. During our story we live, breathe, love and cry. The chapters of our lives are different lengths and they are filled with a wide range of emotion.

It’s important to remember one thing, though. Like the chapters in a book, our life’s chapters never last forever. We are not defined by the mistake we made in chapter 3. What defines a person is what he chose to do with the number of chapters he or she was blessed with. Do we choose to accept what happens and allow chapter 3 to propel us  into chapter 4?

Since my time in Korea, I’m learning that “good-bye” is often the final period on that final page of whatever chapter we are currently writing. The act of saying “good-bye” lets us start again. It allows us to grow. It allows us to leave unhealthy situations in search of healthy ones, or it allows us to leave healthy situations in pursuit of a dream.

Good-byes help us to realize what we had, and to appreciate it. 

I’ve got a confession. I don’t think I ever fully appreciate people or places when they are part of my life. I take them for granted. But, as soon as I am about to leave a place, the ordinary, everyday buildings that inhabited my world (buildings that I’ve passed hundreds of times without notice) are filled with color and I find them remarkable. The people are revealed for who they are, which are friends that I am going to deeply miss and who had a lasting impression on me. I think this is human nature, though. We rarely appreciate the things right in front of us. “Good-bye,” though, forces people and places back into their proper place; their place of high honor and importance. The act of saying farewell is the great equalizer.

Good-byes help us to hope that beauty is possible again. 

The fact that saying “good-bye” is so incredibly difficult speaks to what our experiences were: beautiful and important. This pain is the living proof that we cared and that we loved. It is the frame work that defines the art that was created during our time. It’s not easy to end something of eternal importance. It’s not easy to leave friendships that altered the course of your life.

It’s important to remember that the pain, the memories, the beauty, the lessons learned all come down to this: As bad as it hurts, our act of leaving is a statement of faith (for without faith, we’d never leave) that in our act of going, there is a belief that there is more art to be created and that there is more beauty to be discovered. There is justice to be done, and lessons to be learned. There is hope to be given and there is love to be given.

“Good-bye” is a hopeful sending, and in our going, we are granted permission to go find and create again.

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Michael“The Pain and Beauty of Goodbye” was written by Michael Palmer. Michael is a Midwest transplant residing in Northern California, a pastor, proud father of two little ones, an avid St. Louis Cardinals Fan, and a lover of cultures, travel, food, and theology. He’s published numerous articles on theology, art, and life, and is a contributor to Renovating Holiness (SacraSage Press, January 2015), a theological re-imaging of holiness. You can also find him at michaelrpalmer.com and on Twitter: @michaelrpalmer.

 (Suitcase photo by Elitatt.)