Then the music begins

On its own, there was nothing special about the room. In fact, it was the antithesis of special: Generic and drab, it looked like hundreds of other tired, 1960s-era college dorm lobbies, furnished to withstand the antics of students whose parents weren’t on hand to tell them to keep their sneakers and snacks off the furniture.

But in that room, tucked around the corner, was a piano. And when China played that piano, everything about the room changed.

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It was June 2012, and I was on the campus of Mount Holyoke College in Massachusetts for a weeklong of Glen writing workshop with Lauren Winner. Staying in a dorm for the first time in 20 years made me feel a bit like a teen again, brimming with that same sense of nervous excitement. Who were all of the people I caught glimpses of as they came and went from their rooms down the hall? Which ones would I be hugging fiercely by the end of the week, as we said goodbye?

That first evening—after dinner, the opening talk, and a welcome reception—many retreated to their rooms to recover from a long day of travel. But the extrovert in me knew that going to my room would lead to nothing more than a predictable evening: checking email, doing some reading, then falling asleep. If I wanted to open up my evening to surprise and possibility, I needed to venture into a public space: the dorm lobby.

Those who had been to the Glen before and understood how things “worked” had already started to gather. Plastic cups and bottles of wine were set out on the marred coffee table, and several institutional couches had been pulled up close. Bags of pretzels and popcorn were opened, and much talking and introducing ensued. I introduced myself to people, but mostly observed, holding back—waiting to feel myself soften into this new space.

It wasn’t until a few people began begging a woman named China to play the piano, and she finally agreed, that I felt at home. China’s music filled the room—not just with sound, but with energy, each particle of air vibrating in a way that reminded me “I’m alive, I’m a creative being, and it is good.”

*    *    *    *    *

pianomovingNow it is four years later, and China—China who is from Denver, who I met in Massachusetts then spent another Glen Workshop week with in Santa Fe last summer—is in my living room in Central Illinois, moving a piano. (To be accurate, she is supervising the moving of a piano.)

The piano had belonged to my grandmother. During my childhood, the piano’s home was a cabin in the woods of Northern Michigan, where my grandma’s expert playing inspired many sing-alongs. Tonight, China will play that piano, at a house concert we’re hosting for her band Alright Alright.

Life has been scooting along so frantically as of late that it takes my mind a moment to accept the wonderful reality: China and I are together again, this time in my home, with our husbands and children. Now we know one another as mothers and wives, and also as creative women who labor with the words and stories we must tell. As we hug and laugh and both talk at once, rushing around to prepare the space for this new joint venture, I sense our understandings of one another rounding out. But our friendship also feels the same—full of goofiness and grace, with flashes of depth that root us over breadths of geography and time.

We move the piano from its place by the front stairwell across the living room to the fireplace. The Danish modern armchair my husband likes to sit in after work is moved to the living room’s opposite corner, making room for a variety of guitars and China’s husband Seth, who will play them. Katelin, the band’s third member, sets up a small drum set and a ukelele and guitar to the left of the piano, near our tall bookshelf. I arrange dining room chairs on the rug and on the stage’s “wings”—the sunroom that opens to the east of the piano and the dining room to the west. Extension cords are run from outlets, power strips and amps are plugged in, spot lights are directed. The room has been transformed.

Soon, friends begin to arrive. Wine is poured. Introductions are made. Then China begins playing the piano. The space is complete.

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The Purple Valley

I flew across the country from Southern California, to escape the orange haze of smog that drowned my Inland Empire home, just east of Los Angeles. After landing in Albany, New York, my escort took me on the long drive east through winding roads and rolling hills, over a mountain rooted thick and green, until we finally arrived deep in the Berkshires, to an otherworldly place they called the Purple Valley, home to Williams College.

The College is sheltered in the northwest corner of Massachusetts, protected by the majestic Berkshire Mountains to the Southeast, the Taconic Mountains to the West, and the great Green Mountains to the North. Acquiescent peaks and the annual melody of changing seasons breathes life into the area. The colors of fall — of beech trees, sugar maples, and yellow birch — fill the landscape with oranges and yellows, which eventually yield to the white snow and gentle chill of winter, until spring beckons back the song of the ospreys, warblers, and sparrows.

It is an enchanting place. The harmony of gentle hills and thick foliage offers a tranquil escape. The soft sound of water trickling down creeks and gusts of wind strumming leaves is like a lullaby for old souls. Ghosts of Melville, Thoreau, and Hawthorne stroll through its hills and trails.

*  *  * * *

I was not the only one to receive the invitation for that spring weekend. There were approximately a dozen other high school seniors who’d travelled to Williams, eager to determine whether the Purple Valley was right for them.

The College, in its efforts to convince us, designed the weekend to spoil us. We toured the school, met with current students, slept in dorms, enjoyed the dining halls, and attended parties.

One of the activities included a reception with professors hosted at a dignified building they called the Faculty House. We all attended, dressed in our best formal clothes. Drinks, hors d’oeuvres, and conversation filled the room as the sun radiated through the floor-to-ceiling glass windows.

As I casually turned to soak in the warm, glimmering sunshine, there she stood—the girl from New Mexico. She’d arrived late, wearing a tank top, shorts, and backpack, a defiant look for the occasion. Her beautiful, sensual skin glowed the color of honey. Her sultry almond eyes betrayed her playful, short hair and…and her unforgettable smile. Her alluring, gorgeous smile radiated in the intimate company of her sweet, lovely dimples.

*  *  * * *

By the end of our third and last night together, the small group of high school seniors visiting that weekend clung together like grade school friends, drowning in a cacophony of secret crushes and knowing giggles. Later that evening, close to midnight, a group of us, including the girl from New Mexico, headed down to a common room in the basement of one of the freshmen dorms for a game of Truth or Dare.

I was surprised by many things as we played the game. I was surprised by how rapidly a group of strangers can grow familiar with each other. I was surprised by how many chose to be dared versus the safer alternative. I was surprised by how many followed through on the salacious challenges, which are best left censored to the privacy of that windowless room.

But most of all, I was surprised by her.

It was after she finished her turn when she looked to me. I lounged eagerly in a chair about ten paces away, diametrically positioned across from where she lay on the floor.

“Truth or Dare,” she said, resting comfortably on her back. She delivered her challenge with a sly smile tugging at her dimples accompanied by the steady gaze of her sultry almond eyes.

“Dare,” I replied without hesitation. It was the only response worth offering.

And, to my surprise, she gave the tamest command of the evening, “Go to the girl you like the most and kiss her.”

I lingered on the instruction, confused by its simplicity, but only for a brief second. With a magnificent grin on my face, I stood up from where I sat and sauntered along to where she lay.

She remained still, her head nestled on her backpack and her focus fixed on my position. She gave me a mischievous look, fully aware of the game she was playing.

Brimming with confidence, I approached her facetiously and got on my knees, nestling her hips between my legs. I hovered over her for a brief moment as she looked up at me with an embarrassed smile and a soft chuckle.

As I bent forward and lowered my face close to hers, everything around us dissolved out of focus. I slowly closed my eyes as my lips melted into hers, the supple silk of her mouth embracing me with intimate familiarity, the soft touch of heaven slowly caressing my soul.

It was in that moment, in the warmth of her lips touching mine, that I fell in love, that for the first time in my life, I felt loved. In that moment, in the grace of the Purple Valley, I knew she was the one.

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Biniam“The Purple Valley” was written by Biniam Gebre. Biniam did decide to attend Williams (how could he not?), as did the girl from New Mexico. Nearly twenty years later, they are married and currently live in Washington DC with their two beautiful daughters. Biniam blogs at Choices and Values and can be found on Twitter @biniamgebre.

 

To see what I could see

I had travelled more than a thousand miles to be surrounded by people, yet there I was, alone on a hard red-dirt trail in the Santa Fe National Forest.

To be clear, I was “alone on purpose,” as Nicole Morgan so deftly phrased it in her recent guest post. But following through on this intentional aloneness had taken great willpower. By choosing to set off solo on a hike that afternoon I was voluntarily leaving behind the potential of great conversations and new friendships—the very experiences I had in mind when I devoted a week of time and a sum of money to attend a Glen West writing workshop.

Many people at the Glen arrive in search of space and time to think and write, but as a full-time solitary writer who longs throughout the year for “colleagues,” I went to the Glen to fill that space and time with people. I needed a break from being alone with my thoughts and words, and during my first three days there I had accomplished just that. The mornings’ inspiring conversations in my non-fiction writing workshop transitioned into lunch hours sitting with authors I’ve long admired. Afternoons spent around courtyard tables, hearing about writing projects others were working on, gave way to more conversations over dinner, followed by engaging author and artist talks. Each night found me fighting the need for sleep as the extroverts and night owls gathered for more talk and laughter over whisky or wine, late into the night.

By that Thursday afternoon I had reached a state of “satisfyingly full” and knew some solitude (beyond the fast-asleep kind) would be good for me. It was one of those moments of awareness that separates childhood from adulthood: when you know that something—maybe eating those greens or getting up early to exercise—is important for your wellbeing, so you do it even though you don’t really want to.

I didn’t really want to be alone, but I knew it would be good for me, so I set out on the nearby Atalaya Trail to see what gift Aloneness might have for me in the midst of so much togetherness.

photo (9)The hard-packed ground was dry and gravelly, a shade of burnt, orangey-red that might as well be called New Mexico Red. I passed by Juniper and piñon, cacti, yuccas, and sagebrush, breathing in a heavenly-yet-foreign blend of scents that added a new layer to my aloneness: I was alone in an unfamiliar land.

As I continued walking, I began to wonder what range of unfamiliar creatures might call this arid region home (rattlesnakes? scorpions?). Then I recalled the coyotes whose sparring the night before had awoken me in my narrow dorm room bed, the windows open to the cool night air. Suddenly, alone took on multiple layers of meaning: I was not only by myself, far from others, but I was 7,000 feet above sea level in a foreign land, surrounded by potential dangers. The cell phone in my pocket didn’t even have service. I began anxiously singing, for company:

The bear went over the mountain,
the bear went over the mountain,
the bear went over the mountain—
to see what it could see.

I couldn’t remember what the bear saw, so I stopped singing and walking to just breathe—to calm the tinge of fear I felt and focus my mind on the quiet and the beauty that was all around me.

After walking a bit further, I reached a trio of wooden plank steps that carried the trail up and over a gravel road. Turning around, I lowered myself onto one of the steps, opening my water bottle and taking in the view below, the path I had just walked. The college campus, where all of those conversations and friendships had taken root the days before, looked small, but there it was, waiting.

I pulled my journal out of my backpack, turning to a page where I had taken a few notes while the poet Scott Cairns had read to us an evening or two before. A line from his poem “Draw Near” had especially captivated me:

For near is where you’ll meet what you have wandered far to find.

I had traveled all the way to New Mexico to be with other writers and artists—I needed new conversations and different perspectives to help reframe the story within me. Then I had traveled up this mountain for time and space alone, in a land so different from the one I know that I couldn’t help but be aware, notice, and respond—not intellectually but viscerally. And all of those miles, all of that wandering both with others and alone, had helped me meet what is very near, in my heart.

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Pioneer Blood

Home was dusty. Home smelled like cows. Home was New Mexico.

I grew up in one of those small towns where everybody knows your name. Several generations of my family have called this area in the middle of nowhere “home,” even back when it was just a train stop in the desert. I’ve been enthusiastically greeted by people who have known not only me, but my mom since she was in diapers. Six degrees of separation? No one needs that many to find someone you grew up with, dated or are related to. There is a tangible connection between neighbors when anything exciting happens: a new restaurant opens, someone famous wanders through or a school board meeting takes a dramatic turn. There is a sense of unity as we participate in the same traditions as our parents and grandparents and great-grandparents before us, even rituals as simple as dressing in purple to support high school sports every game day.

sunThere’s nothing quite like the community of a small town to build a runway for a dreamer to fly, however. Like my pioneer ancestors before me, I heard the call of the unknown and unexplored. Home was far too confining. I ached with it.

Home then became Baylor, a Baptist university in the middle of Texas. Home was green and gold. Home was red brick and late nights and racing to beat newspaper deadlines.

At this Christian journalism school, I learned to investigate everything. My identity. My relationships. My world. My Bible. If faith is a prism, college threw the light in a different way. I learned a group of people can become your family and then, when their season is done, leave you haunted by their impact. I learned healing can come through quick prayer, but it can also come through years of pain and doctors and hard-earned revelations. I learned a home you choose, even a temporary one, can be a sanctuary. I learned running away from home doesn’t mean your problems stay behind. I discovered belonging and calling and true freedom that isn’t tied to a place, but a Truth.

But college was a training ground, a preparation for the next season yet to come, and in the middle of all this searching for both freedom and belonging, I stumbled upon still another home. I studied abroad at Oxford and found England to feel more home-like than anything I knew. I had studied their history, their culture and the great literature of this little island. Walking down those ancient streets and experiencing Britain for myself was like falling in love – terrifying in its vast newness while welcoming me in as if I had always belonged there. A completely foreign place and culture, and yet, I fit. A puzzle piece snapping into place. It was like nowhere else in my life of traveling and exploring. The loneliness of being far away was nothing new – in fact, it was far sweeter – because I have known the loneliness of being out of place in the midst of familiarity. Out of the two, I’d take the loneliness of adventure any day.

But I wasn’t meant to stay in Britain, not just now anyway, though I’ve been back and will always keep returning, no matter how short the stay.

So now home is a busy suburb in Alabama. Home is a church in a warehouse. Home is mixing up the words “friends” and “family” because here, all are welcome.

Home is a quiet apartment, where the clock can sometimes tick loud in the dark and the battle for joy is tangibly present. But I’ve long since found home to be unrestrained to a physical location. Home is a journey, a path that meanders and crisscrosses and exists in several places at once. A hometown, a homecoming, a home-like feeling, a home address… all of these are simultaneous and equally valid, though still ultimately lacking.

I never really understood this enduring homesickness until I read it described by C.S. Lewis:

“If we find ourselves with a desire that nothing in this world can satisfy, the most probable explanation is that we were made for another world.”

Though I cannot see it yet, I know the reason I’ll always be searching, a wanderlust girl with pioneer blood. I have yet to make it Home.

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jenna“Pioneer Blood” was written by Jenna DeWitt. Jenna is the managing editor of MORF Magazine, a resource for youth ministers, mentors and parents of teenagers. She has a bachelor’s in journalism from Baylor University, where she edited a bunch of student publications, became a fan of C.S. Lewis and drank Dr Pepper floats with Blue Bell ice cream like a true Texan. She currently lives in Birmingham, Alabama, though if you ask her where home is, she will tell you “it’s complicated.” You can find her on Twitter @jenna_dewitt and on Tumblr at jennadewitt.tumblr.com.